Italian

The Cambridge Companion to the Italian Novel provides a broad ranging introduction to the major trends in the development of the Italian novel from its early modern origin to the contemporary era. Contributions cover a wide range of topics including the theory of the novel in Italy, the historical novel, realism, modernism, postmodernism, neorealism, and film and the novel. The contributors are distinguished scholars from the United Kingdom, the United States, Italy, and Australia. Novelists examined include some of the most influential and important of the twentieth century inside and outside Italy: Luigi Pirandello, Primo Levi, Umberto Eco and Italo Calvino. Also available in print at MAIN PQ4170 .C36 2003.

This book provides a comprehensive account of the culture of modern Italy. Specially-commissioned essays by leading specialists focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, language, social and political cultures, the Church, feminism, organized crime, literature, art, the mass media, and music. Each essay contains suggestions for further reading on the topics covered. The Cambridge Companion to Modern Italian Culture is an invaluable source of materials for courses on all aspects of modern Italy.

The History of Italian Cinema is the most comprehensive guide to Italian film ever published. Written by the foremost scholar of Italian cinema and presented here for the first time in English, this landmark book traces the complete history of filmmaking in Italy, from its origins in the silent era through its golden age in the 1940s, 1950s, and 1960s, and its subsequent decline to its resurgence today. Gian Piero Brunetta covers more than 1,500 films, discussing renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. He examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. Brunetta illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, he recreates the world of Italian cinema, giving readers rare insights into the actors, cinematographers, film critics, and producers that have made Italian cinema unique. Brunetta's passion as a true fan of Italian movies comes across on every page of this panoramic guide.

Embracing the whole of Italian literature, from the early thirteenth century to the present, The Oxford Companion to Italian Literature takes a broad view of what constitutes literature, covering historical writing, travel writing, theatre, and philosophy as well as the novel, poetry, literary dialogues, and critical theory. Providing generous coverage of canonical figures - from Dante and Petrarch to Montale and Calvino - it also contains a wealth of short entries on significant minor figures.The Companion also explores Latin literature written by Italian authors - a major feature of Renaissance culture - and Italian dialect literature; and highlights articles which place the writers and their works in their wider social, historical, artistic, and political context.

Reviewing key points, this guide to Italian usage is intended for students who have acquired the basics of the language and wish to extend their fluency and confidence. It pays special attention to those areas of vocabulary and grammar which cause the most difficulty to English-speakers, and consideration is given throughout to questions of style and register. The text will be an essential reference for learners seeking access to the finer nuances of the Italian language.